The Furor “Phenomenal Abomination”

Year: 2026

Coming out of Perth, Western Australia, The Furor has been operating as a scorched-earth black/death weapon since 2002, and Phenomenal Abomination proves the project is still fueled by the same two obsessions stamped all over their identity: war and Armageddon. This isn’t a band chasing relevance; it’s a long-running underground unit built for destruction.

And you can hear that veteran confidence immediately. A lot of modern black/death either hides behind cinematic atmosphere or goes “technical” just to impress other guitar nerds. The Furor doesn’t do either. This album is direct violence, the kind that smells like burnt cables and cratered ground. The riffing hits like mechanised infantry: tight, grinding, relentless. Songs like “Black Storm of Invincible Mayhem” and “Molten Militia” don’t try to be friendly: they’re written to maim, then march forward.

What makes it even more satisfying is knowing The Furor’s core has often been run like a one-man war machine (Dizazter at the centre), and that singular vision shows: no filler, no trend-hopping, no mercy. Phenomenal Abomination isn’t here to innovate. It’s here to dominate.

Recommended if you worship: early Angelcorpse, Diocletian, bestial-era black/death warfare, and anything that sounds like a battlefield collapsing in real time.