Desecravity is one of the most notable and brutal bands with an
aggressive qualified fast and high-technical attitudes of Death Metal in their
musical understanding from Japan.They did three killer records and they have
just released the last one titled Anathema which clearly goes on the path of
brutality of extreme metal music just like the previous two records they did.I
talked to Yuichi Kudo who is a skillful and killer drummer and the main guy of
Desecravity.He answered very polite and courteusly about his band and his
musical reflections.Letís meet with the the sharpest blade of Japan.(Grinder)
Hello Yuichi.How is life in the death front of Tokyo?
Hi there, things are great. Iím just busy doing tons of thing in the DESECRAVITY
as usual like management, writing song, booking tours and so on. Because Iím
responsible for all things.
I would like to congratulate you about your last monstrous full-length
titled as Anathema. How are the reactions for it from press and death metal
Thank you. We have received a lot of excellent feedbacks in reviews, messages,
and comments in SNSs. I feel like I could express my imagination and feelings
through the songs in the album, so Iím happy if many listeners feel something of
my expression from the album.
How did you start up this album?What ideas,notes and tunes were you into
about writing and collaborating the songs?
After released our 2nd album ďOrphic SignsĒ, I have been with a satisfied
feeling for a while. I didnít want to touch composition at the time. I started
working on a new album ďAnathema" from late 2016. The first song I wrote for the
Anathema is Impure Confrontation within 2016. I usually spend time a couple of
month for a song, itís kind of late, want skill to write faster. I usually
create a story or scene before I start writing a song. Then I use tones writing
a song with musical expression. These elements are made from my imagination or
experience of anything in my life.
Where did you record and mix Anathema?Who did you work with?What type of
recording equipment did you use?
We recorded in the own recording room in Tokyo area and mainly I work as a
producer on it. So we can play under less pressure in the familiar environment
and no time limitation. Basically, we used Pro Tools system and own instrument
How do you define your last release Anathema as a record?What things
have changed?Can you compare it to previous release Orphic Signs?
Nothing changed or many things changed. I mean I havenít approached changing any
musical things, never tried to play technical, faster and heavier. As I
mentioned above, when I create songs, the most important things are the story
and imaginations for me. They make me design like DESECRAVITY songs. Itís like
an art. Example, a band wants to play sweep technique and blast beat, thatís why
they put them on a song. It opposites to me, a technique is just like tools to
express what I want. The pattern, phrase, riffs, melody, anything is just the
result of DESECRAVITYís expression.
Can you give us about the details about your artwork?
We asked Ryohei Hase, who is a professional artist has experienced work with
Snow White movie, famous musicians and big companies, for drawing our cover art.
Actually, he has stopped working as an artist lately. Anyway, firstly I told him
the album theme is Anathema, then gave him some words including ďConfrontationĒ
which is one of the important words in my story. So he perfectly made the art
which was expressed with my story and his imaginations with my words. He is
Yuichi,to be honest,basically you are a death metal beast behind your
drum set.How have you been progressed your skills since the beginning?Can you
tell us your story about being an extreme drummer?
Thank you. Well, I started playing the drums when I was 15, was learning by
myself and already in metal. After a few years, I moved to the United States to
touch and learn music. It was right, I had spent a great time more than expected
with lots of musicians and been changing lots of thing in my mind, especially
while being in music college. After Iíve been in the United States about 5 years,
I got an opportunity to move to Vancouver, Canada for joining and playing in a
death metal band and experienced tons of stuff with great bandmates and all
friends. My music life is built on the experience even now. Then, I moved to
Japan and formed DESECRAVITY for playing into the global metal scene from Japan.
I play the drums almost everyday but it is not for improving skill and pursue
technique or speed, I donít confound means with the end. I just need skills for
only my musical expression on a song.What are the themes and lyrics behind Anathema?What things do you focus
on lyrics in Desecravity? I usually use myth and religious things in my songs. I like those kinds
of historical stuff. Anathema is I wrote things merges a human element in
actuality with historical contents.
You toured in far eastern countries for a lot of times and toured in
Russia as headliner in 2013 What kinds of reactions did you take?Any comparison?
I think we couldnít go to Europe in 2013 but toured in Russia. Well, I don't
feel so much different between Asia and Russia. They have a huge passion for
metal. The Russian tour was one of wonderful tours in my music life.
Do you have any plan to come for a tour over Europe and Usa this year?
Unfortunately, we donít have a plan so far.
You have been working with Willowtip from USA since your first full-lenght.How
did you start to work together?How was the deal?Are you happy about Willowtip? Why not. We are very proud of being a part of Willowtip family for
about eight years. I canít remember exactly how I started to talk with Willowtip
Records though, I had an opportunity to talk with Hammerheart Records at first,
they had covered distribution in Europe area as an affiliated, so they talked to
Willowtip Records about us, it was something related with the start. Then we
Can you tell us about the project of ĎíLet It Dieíí?Would you like to
collaborate any other video game project in future?
I received an email from Akira Yamaoka who is the music producer of Let It Die,
Silent Hill series and others. It was about offering collaborate with music
project of Let It Die, PS4 game. I'm very proud of hearing the offer from him
but I actually hesitated if I receive it or not. Because they gave us time for
only several weeks until finishing mixdown. I had to start from writing a song
though, I decided to challenge it. It was really tough.
Yes, if we will have a chance to work with any companies or anything, we would
like to do.
What ideas,bands and musicians were you influenced before you started
it?What things made you start to play Death Metal? I've been influenced not only death metal but also other kinds of music.
I have listened to classical music a lot, even when I was a kid. When I listened
to metal at first time, I thought I start wanting to play the drums. The metal
sound made me comfortable like a drug. No matter how many times I am reborn, I
will be in a metal band.
How was the raising as a metalhead in Tokyo?How did you get into metal
and death metal?What things are different for a metalhead and an extreme metal
musician in Japanese culture and life ?
I donít remember exactly how I started listening to metal, but I borrowed a lot
of metal CDs from my friend and went to CD shops for listening sample CDs and
finding bands, then I listened to metal everyday, I gradually began seeking more
heavy sounds and more speed. Finally, I found death metal. Since I have listened
to metal, I have never stopped metal.
How do you see your progress as a band and musicians from early days to
We have improved technically and personally by the music and through changing
members. Especially, present bandmates Yuya and Daisuke are very skillful and
talented. I have seen them every week, it is easy to see their improvement. Also,
they make me grow up by a synergy. These three guys have a good relationship
musically and personally.
As far as I know you did a fest called ďUnlimited Black Air 2014Ē .Can
you tell us about it?
It was the first time to host a metal event called Unlimited Black Air 2014 in
Tokyo, Japan. It was a new challenge for us and we wanted a stage where my band
can appear in front of fans. Usually, a band is under control by an event
organizer, so we wanted to try controlling the whole event once, it was really a
success but tough work. It was continued to the next year and will be open in
this year again.
What things and works do you guys do except being a musician in
Desecravity? I don't know much about other guys private life. We usually donít touch
private things each other. I usually spend a lot of time on music like writing
song, practicing and management band, I also travel a lot, go to a concert and
museums, play sports, party, and so on. I don't work much.
As regard to your musicianship,Yuichi,how should a young musician work
and study music and instruments for a progress and change?
I think that it is only necessary to do what you want to do straight ahead. Do
not compare yourself with others or do not imitate others. I think that you
should take care of your imagination and originality. There is no need to be
afraid of being different from others. That's all I can say. Regarding technical
matters, ask your teacher.
Letís back to the time of ĒImplicit Obedienceíí.How did you write and
record that album?How was the spirit of the band between 2009-2012?Eric Rutan
mixed it.Would you like to record all album in Mana in future? Implicit Obedience era is basically the same as now. After recording, I
had the opportunity to talk with Rutan when I was looking for a mixing and
mastering engineer, he liked our album so much and accepted the work pleasantly.
Although the 2nd album ďOrphic SignĒ was also mixed and mastered in Mana
recording studio, the newest ďAnathemaĒ was by Unisound, Dan SwanŲ.
Yes, of course, if we have another opportunity to work with Mana recording
studio, it would be great.
Can you advise any bands from Japan?What bands do you listen nowadays? Every band has a different stance and how you want to do in a band is
different, so I cannot advise. But one thing, if you want to become a global
band like Defiled or Vomit Remnants, you should not stay in a small community
forever and do more challenging without fear.
What band do I listen to? Iím just watching new King Diamond video while Iím
answering your interview.
Your drumset looks unique and amazing.How did you set it up ?What kinds
of musical ideas make it real?How many hours do you practice in a day?Do you
have a personal studio? When the expressiveness of a song became high, I wanted various sounds
and added new parts onto the drums. Itís really difficult setting up, Iím still
looking for the more comfortable settings. I usually play the drums just for fun
about 1 or 2 hours in my private studio everyday and band session a couple of
time every week.
It is time to end this cool conversation.Thanks a lot for your honest
answers and precious time.What would you like to tell to the world and death
metal freaks outside to finish this interview? I'd like to say thank you to all who are supporting us, we look forward
to seeing you some time in the future. Cheers!