Greetings, your new album were the first album that I heard so far
from your band and I was amazed by the atmosphere on it. What can you tell us
“Vegferð tímans” had a long and difficult birth. We have been working
on this material since 2012 and the first recordings were done in early 2013.
The process included re-recordings (e.g. of the drums entirely), moving the
mixing job from Iceland to Sweden along with very careful structuring of the
album. We are immensely pleased to finally release it to the public and are very
glad to hear that we seem to have succeeded in conveying the atmosphere to
I was listening to some of your older material the other day after the
review for your third album and I noticed some differences between the new
material and your older material, mostly in sound. How did it come to this?
Some differences in the music come from increased knowledge and maturity in
composing and structuring the songs and the album as a whole. The sound change
was in part intentional. Although “Vegferð tímans” was also recorded in a DIY
fashion in our rehearsal space like “Sem skugginn”, we used a different
technique for recording one of the main instruments, distorted guitars. Most of
the thanks must go to our sound engineer Haukur Hannes who mixed and mastered
the album from Sweden and did a kickass job at it. He truly turned our raw
material into a diamond and deserves many thanks for that.
How do the composing process going on in your band?
We usually show up with a basic song idea or song structure and work
out the details from there. Our first two albums were mostly written by me (Jóhann
Örn) but the title tracks from them, “Dynfari” and “Sem skugginn”, were actually
both mostly written by Jón Emil along with the opening song “Glötun”. I believe
“Vegferð tímans” is more balanced, where each of us wrote four tracks with me
taking care of all lyrics. Although we mostly compose on our own, a lot of ideas
and details come to light in the rehearsal space. This will be especially true
for our future material which will be composed with our full line-up.
Your songs are all made in your native language Icelandic. Could you
tell us a bit more about them?
The first half of the album, 5 tracks including the 1-minute interlude
“Fall hinna XCII og 2^57,885,161 – 1 sálna”, are mostly individual entities lyric-wise
although they contribute to a similar lyrical theme or pattern. It is about the
inevitable end of humanity, along with a similar theme as “Sem skugginn” of our
insignificance in the universe and utter indifference toward it, with the
additional notion of our appreciation of beauty as our only solace from our
The later half of the album, “Vegferð”, consists of three pieces of music, woven
together through a single poem with some lines repeated across tracks. The theme
here is a different one but yet related. It is about our remains returning to
their origins in unity with the rest of the universe as it once was and for all
eternity, hence the triskele sign on the cover. In the second part we have some
beautiful female guest vocals from my friend Karen Ýr.
What does your band name means in English?
“Dynfari” is an archaic Icelandic word which means “wind” or “storm”. A
direct translation would be something along the lines of “that which goes with a
Did you ever think about making a song or even an entire album in
English so that people from outside Iceland are able to understand you?
We have thought about having song titles in English, though I seriously
doubt that we will ever make an entire album in English. We have included some
movie samples that are in English though that do shed light on some of our
lyrical themes. The final sentence of “Vegferð tímans” is also spoken in English.
What books, movies or events inspire your music and lyrics?
“Sem skugginn” was in part inspired by Orwell’s 1984 as the sample in
the first song suggests. It was also inspired by some depressive movies such as
White Oleander, Prozac Nation and Downloading Nancy. On “Vegferð tímans” we used
a couple of samples from the final words of the movie American Beauty which
beautifully capture some of our lyrical themes of this album in English.
What bands inspire your music?
We are inspired by a plethora of music, ranging from black metal and
death metal to post-rock and classical music. One band that gave us courage to
take our music to the realms we tread today is Australian black metal band
Austere, whose song “Just for a Moment” we covered and featured as a bonus track
on the re-issue of “Sem skugginn”. To namedrop a few other big influences, I’ll
mention Woods of Desolation, Alcest, Drudkh, Sólstafir, Mogwai and This Will
Destroy You. The complete list would probably be as long as the rest of the
interview, so let’s stop here.
Iceland isn’t so much known for a Metal Scene. I can name only 3 bands
from there. Solstafir, Curse and Dynfari. Why is it so that Iceland isn’t so
much known for Heavy Metal as other countries are?
That’s easy: Iceland’s geographical location and low population.
Iceland is an island in the middle of the Atlantic Ocean from which it takes 2-3
hours by plane to get to mainland Europe or America. The population is around
330,000, similar so some cities’ suburbs, so knowing three bands from such a
small population is actually somewhat impressive when looking at the big picture.
With the internet I think it has become easier for Icelandic bands to get
recognition which is what we are seeing for example with the Icelandic indie
music scene, black metal scene and some rock/metal bands in general.
Are you a live band?
Yes. We toured some countries in Europe last summer. This fall we will
play over 30 gigs in United States and Canada on our tour with Negura Bunget and
Have you ever considered doing a video for on of your songs?
We have had offers but haven’t been able to do so yet. It is something
we would like to do sometime.
Any last words?
If you want to see “Vegferð tímans” on vinyl, head over to our
Indiegogo crowdfunding campaign to pre-order or fund, found for example via our
The campaign expires on April 10th 2015: